T.O.L.E.R.A.N.C.E
"It does not matter whether one is a believer or not: what matters is to be tolerant."
"T.O.L.E.R.A.N.C.E" consists of nine bronze sculptures, each one a letter. Each may evoke one of the world's religions; viewers are invited to interpret them according to their own frames of reference.
The initial edition of eight series was deliberately reduced to six.
Three series are permanently installed on public sites in Paris and Montpellier (France). One series, acquired by the royal family of Abu Dhabi, stands in front of the Government Palace of the United Arab Emirates. Series no. 4 belongs to a private collector.
The aim and the vision remain the same: to install T.O.L.E.R.A.N.C.E as so many points of light against the intolerance and religious terrorism the world faces.
Wherever it is installed, permanently or temporarily, T.O.L.E.R.A.N.C.E becomes a meeting point in the city, a gathering place that welcomes artists, students and diverse communities, bringing to life the essential message of human kindness.
The nine sculptures
Bronze, 2001
In the artist's words
A word only takes on its meaning through the whole of its letters, each one indispensable and equally important in carrying that meaning.
In the same way, the different cultures and spiritual beliefs of our societies can live together in brotherhood and complete one another, through mutual respect and a little kindness.
Mysterious and grave, nine emissaries invite you to meet them, to respect their differences and the beliefs they suggest. Brought together in one place, they speak to us of encounter and harmony, of peaceful plenitude.
As human beings, we all share, inscribed in our nature and founded on the awareness of our vulnerability, the same quest for stability and peace.
Religious tensions seem to grow worse by the day. And yet it is this mosaic of beliefs and cultures that makes up the world...
Through this sculpture, I wanted to highlight the resemblance within this shared quest for immanence, whatever form it takes and whatever the "god" it is addressed to. It is this similarity, this convergence, that ought to be shown, rather than the differences born of unproven speculation or baseless fundamentalist assertions about the divine, which are inherently ambiguous and therefore open to question.
Each letter, through its own style, evokes one of the world's beliefs. But the interpretations are deliberately left open to each person's imagination...
Guy Ferrer
Other views of the installation
Successive installations worldwide
- 2019Parc André Chénier, Carcassonne (France)
- 2015Esplanade du Prado, medieval city of Carcassonne (France)
- 2014Couvent des Minimes, Perpignan (France)
- 2014Campo Santo, Perpignan (France)
- 2013Permanent installation no. 3/8, Port Marianne district, Montpellier (France)
- 2011Palais des Rois de Majorque, Perpignan (France)
- 2010Château royal, Collioure (France)
- 2009Goethe University, Frankfurt (Germany)
- 2009City of Poznań (Poland)
- 2008Permanent installation no. 2/8, Government Palace, Abu Dhabi (United Arab Emirates)
- 2008Luxembourg Gardens, Paris (France)
- 2007Monnaie de Paris, Paris (France)
- 2007Permanent installation no. 1/8, Parc François-Mitterrand, Saint-Ouen (France)















